ECM NEW SERIES, ECM 1505, CD 439 162-2
Tõnu Kaljuste is
nominated for the 37th Grammy Award in the Best Choral
Performance category as a conductor for this record.
The record has stayed on The Billboard Classical 50 chart
52 weeks, the highest position reached No. 1.
Beautiful sounds, these - gripping yet remote, communicative yet
deeply personal in their contemplative aura. I can't think of any
recent liturgical music quite worthy of comparison with Te
Deum, while the allround standard of presentation -
performance, engineering, documentation - serves Pärt as
devotedly as Pärt serves the Divine Image.
GRAMOPHONE - November 1993
In the Magnificat /.../ they sang with a marvellous purity of
tone, a perfection of pitch and clarity of diction (wether in
German or Latin) that most choral trainers would give eye teeth
to emulate.
I cannot imagine even the most stony-hearted failing to be moved
by this account of the Magnificat, presented by singers
who took up an interpretative position at the emotional epicentre
of the piece.
THE WEST AUSTRALIAN - 26/02/1993
The simplicity Pärt favours is one of purpose rather than means,
not entirely mystic and not at all minimalist, but communicating
a deeply held conviction through his devout religious faith. A
work like the halfhour Te Deum, which ended with its quiet
Sanctus chant dwindling into silence, is a marvellously
musical affirmation of praise and prayer.
THE TIMES - 11/05/1995
It was almost impossible to separate the beauty of the music from
the beauty of the performances. Under Tõnu Kaljuste's sensitive
direction the Estonians proved themselves a superior mixed
chorus. The 24 voices were acutely tuned and balanced, and they
responded with great feeling to the delicate gradations of sound
and silence in which Pärt's music glories.
CHICAGO TRIBUNE - 10/11/1996 /John von Rhein/
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